Part 26: THE ONLY WAY OUT, Dinner in Denver with TOWO's Producer, Steve Schklair
Part 25: THE ONLY WAY OUT Screenplay Notes, Netflix Take 3, and The Athena List
Part 24: THE ONLY WAY OUT, Juggling Kids, the Writing Life, and Learning to Kill Goals to Get Ahead
THE ONLY WAY OUT: Pitching to Scarlett Johansson
Part 23 THE ONLY WAY OUT: Screenplay Structure A Single POV Story Versus a Multiple POV Story
Part 22: THE ONLY WAY OUT, Civil Air Patrol, and The Mediterrane Film Festival in Malta
Part 21: THE ONLY WAY OUT, "You've Got to Know When to Walk Away..."
Part 20: THE ONLY WAY OUT, The Grim Reaper, La Sportiva, and Elbow Grease
Part 19: THE ONLY WAY OUT, Martinis in the Mountains?
Part 18: Sara Blakely and Finding a Path to Scarlett Johansson
Part 17: THE ONLY WAY OUT Creating a Pitch Deck for Product Placement and Landing Scarlett Johansson
Part 16: THE ONLY WAY OUT's New Beginning and a Promotion
Part 15: THE ONLY WAY OUT's Exciting Financing Deal...
Part 14: THE ONLY WAY OUT, Steve's Great News, and Money, Money, Money!
Part 13: Lionsgate, 20th Century Fox, Thunder Road's Asbury Park, and Incredible News
Part 12: A Goldilocks Problem, Skydance, Paramount and Thunder Road
Part 11: Paramount, Netflix, Thunder Road, and Skydance
Part 10: Attaching a Director
Part 9: Kate Hudson, Anne Hathaway, Jlo, and Maggie Gyllenhaal
Part 8: Lunch in Malibu with Legendary Hollywood Film Producer Marty Katz